Indra’s Net
Conceived, Directed, and Composed by Meredith Monk
Meredith Monk’s newest interdisciplinary, evening-length music theater piece is an
experiential performance work affirming the interconnectedness of life.
Following On Behalf of Nature (2013), a plea for ecological awareness, and Cellular Songs (2018), which turned attention to the fabric of life itself, Indra’s Net is Monk’s third work in a trilogy dedicated to our relationship with the natural
world.
In the ancient Buddhist/Hindu legend of Indra’s Net, an enlightened king, Indra, stretches
a large net across the universe with an infinitely faceted jewel placed at each intersection.
Each jewel is wholly unique yet reflects all the others, illuminating the interdependence
of all living things—a particularly apt metaphor for our current times.
In a world that is so fragmented and full of sorrow, I want to create work that affirmsMeredith Monk
life and our sense of connection to each other and to everything else.
Initially set to premiere in November 2020 and delayed due to the COVID-19 pandemic,
Indra’s Net premiere was on November 12 & 13, 2021 in a concert-version to a limited capacity
audience in the Jeannik Méquet Littlefield Concert Hall on the Mills College campus
in Oakland, California. Additionally, the presentations were made available via live-stream
on the Mills Performing Arts website.
Indra’s Net featured an intergenerational and multi-cultural cast and designers including Meredith
Monk, Paul An, Theo Bleckmann, Gideon Crevoshay, Allison Easter, Ellen Fisher, Katie
Geissinger, John Hollenbeck and Allison Sniffin. Joining Meredith Monk & Vocal Ensemble
will be a chamber orchestra consisting of players mostly from the San Francisco Bay
Area, including Jennifer Ellis, Tony Gennaro, Keefe Ismael, John Ivers, Nayoung Jung,
Kyle Ko, Genevieve Kromm, Rhein Matlack, Yuki Nagase, Erika Oba, Shaina Pan, Nasr
Sheikh, Jamael Smith, Julian Sommer, and Michiko Theurer. Designers include: Scenic
and Costume by Yoshio Yabara, lighting by Joe Levasseur, and sound by Daniel Neumann.
The piece was workshopped at Mills College in Fall 2018 & 2019 with Bay Area musicians,
at ArtLab at Harvard University in Spring 2020 and at Queenslab in Fall 2021.
Indra’s Net is made possible through the generous support of the Hewlett 50 Arts Commissions, The National Endowment for the Arts, ArtLab at Harvard University, and Queenslab
in Ridgewood, Queens.
About Meredith Monk
Meredith Monk is a composer, singer, and creator of new opera and music-theater works. Recognized
as one of the most unique and influential artists of our time, she is a pioneer in
what is now called “extended vocal technique”. Celebrated internationally, her work
has been presented at major venues around the world. Over the last six decades Ms.
Monk has been hailed as one of National Public Radio’s 50 Great Voices and “one of
America’s coolest composers”. Her numerous awards and honors include a MacArthur Fellowship,
Officer of the Order of Arts and Letters from the Republic of France, induction into
the American Academy of Arts and Letters, the Dorothy and Lillian Gish Prize, and
a National Medal of Arts. Most of her music can be heard on the ECM label, including
the Grammy-nominated impermanence. Since the early 2000s, Monk has been creating vital new repertoire for orchestra,
chamber ensembles, and solo instruments, with recent commissions from the San Francisco
Symphony and Carnegie Hall where she held the 2014-15 Richard and Barbara Debs Composer’s
Chair in conjunction with her 50th Season of creating and performing.
Meredith Monk, from “On Behalf of Nature”. Photo by Julieta Cervantes.
Ellen Fisher, Bohdan Hilash, John Hollenbeck, Sidney Chen, Meredith Monk, Allison
Sniffin, Katie Geissinger, and Bruce Rameker, from “On Behalf of Nature”. Photo by
Julieta Cervantes.
Allison Sniffin, Jo Stewart, Meredith Monk, Katie Geissinger, Ellen Fisher from “Cellular
Songs”. Photo by Julieta Cervantes.
Meredith Monk, Katie Geissinger, Ellen Fisher, Allison Sniffin, Jo Stewart, from “Cellular
Songs”. Photo by Julieta Cervantes.
About the Hewlett 50 Arts Commission
In 2017, Mills College received a $150,000 grant from the William and Flora Hewlett Foundation as part of the foundation’s $8-million commissioning initiative, the Hewlett 50 Arts Commissions, the largest initiative of its kind in the United States.
The Hewlett 50 Arts Commissions was designed to support the creation of 50 original
and exceptional works by globally recognized performing artists in partnership with
Bay Area nonprofit organizations. Created in honor of the Hewlett Foundation’s 50th
anniversary, these commissions will bring world-class talent to Bay Area audiences,
with the intent of inspiring, engaging, and bringing together the local arts community.